On sale through Dec. 31st, 2022 For a limited time get a free bonus book, signed by Lora Irish with your Thumb Drive order at ArtDesignsStudio.com This week’s book is the Great Book of Wood Burning – Edition 2, a $22 value.
In this leather pyrography series, you will find the steps for creating the copper, wire-bent jewelry. Plus, how to create 10 quick necklaces out of one pyrography burning that is perfect if you are a craft seller or need a group of Holiday presents this years.
An easy way to get started with leather pyrography art journals is to purchase several scrap bag assortments of leather. This gives you a variety of leather to begin exploring leather burning.
Journaling is a hot hobby today, giving pyrographers a wonderful leather surface for our sepia designs. Creating faux deckle edged paper adds to the unique quality of our wood burning journals. Let’s discover how very easy it is to make your own deckle edged leaves and writing sheets.
I prefer to either use a graphite tracing paper or graphite pencil lead rubbed over the back of my pattern my paper as my tracing media. Graphite leaves a pale to medium gray line on our working surface that has no oil or wax, and therefore is not a permanent marking.
When I began my work with pyrography on leather, my practice board got a touch out of hand. I began my text project with a 10 lb. scrap bag of vegetable-dyed leather from Springfield Leather Co. which contained a variety of weights, textures, and species of leather pieces.
The journal is bound with a very simple lacing pattern that can be opened to remove and refill the journal cover for long-term use. The paper pages, printed using my home computer printer, are laced to the back cover only, which allows the front cover to be fully opened and even rolled over to the back of the journal during use.
Learn in this free, online pyrography project how easy it is to add pyrography burnings to small leather boot belts, leather belts, and leather wrist bands. Step-by-step instruction and free wood burning patterns.
This step by step leather journal project assumes that this is your first wood burning, includes how to trace pattern, basic pyrography techniques, and the instruction for the Griffin Journal.
An easy way to get started with leather pyrography art journals is to purchase several scrap bag assortments of leather. This gives you a variety of leather to begin exploring leather burning. No piece is so perfect that you can’t just throw away a ‘mistake’ or cut it down to become a smaller cover. The textures, distortions, and flaws add to the vintage look of your journal when everything is done.
But you will note when you follow the links above that both packs have irregular edges, some clamp marks and stretch marks, and even a few wrinkles … which makes them even better when you are designing your Leather Pyrography Art Journal. Those pulls, stretch marks and little oddities in the leather surface give your journal cover a wonderful distressed, vintage look.
In the Mayan Leather Journal photo, above, you can see those stretch marks along the right side top and bottom corner.
I chose the Mayan design specifically for this scrap of leather. As Mayan hieroglyphs were worked as stone carvings they did not have crisp, clean, sharp edges to the design. As time, nature, and weather have eroded those same writings the edges have become more distorted. So what could be more perfect than a stone carving design on a wrinkled piece of leather. Those wrinkles give the feeling of the rock face in which the Mayan’s created their architecture.
When you add that as you wood burn your leather you also lightly sculpture the leather surface, our Mayan Priest becomes a 3-d rendition of the pattern. You can see along the left side of the cover how the burn pushes the leather down, leaving the un-burned or lightly burned areas proud of the surface.
Several light coats of a gloss acrylic spray sealer accents the 3-d effect of the leather and design by creating bright highlights along the edges of the pattern work.
This journal sample uses both an edge piece of a vegetable-dyed shoulder and a scrap piece of dark mahogany tanned leather for the back cover – one piece from both of the scrap packages above. Since the mahogany tanned leather is of a higher weight (thicker) than the veggie leather cover, I used my smallest v-gouge wood carving tool to create a simple checker board design directly into the back cover. Those gouge marks let that leather roll more easily as I use the journal. A third piece of scrap leather became the binding edge of the journal where the screw posts join all the leather pieces and hold the inside paper pages.
Journaling is a hot hobby today, giving pyrographers a wonderful leather surface for our sepia designs. Creating faux deckle edged paper adds to the unique quality of our wood burning journals. Let’s discover how very easy it is to make your own deckle edged leaves and writing sheets.