Pyrography

Complete Pattern Collection on Sale!

Treat yourself this holiday season to thousands of patterns, ideas, and templates.  All original art by Lora S. Irish.

Our best sale of the year, through Dec. 31st.

Today’s Tips and Tricks is below!!!!
Bullet paper covered wood ornaments for Pyrography

 

 

 

Our artist and author, Lora S Irish, has written 49 books during her crafting, wood carving, and wood burning career, dedicated to teaching you the basics to our favorite hobbies.  They make great stocking stuffers!  Available at Amazon.com.

 

Dec. 09, 2024 Tips and Tricks

 

Simple, quick, and just plain fun … These Christmas tree ornaments are worked on pre-cut wooden ornament shape that measure 70-80 mm/2 7/8 to 3 1/4″ round.

Supplies:

3″ wooden ornament pre-cut, finished shapes
Cream colored, gird, bullet journal paper – A5 or A6 size
DIY Paste Glue
1/2 cup warm water
1/2 cup whole milk
2 Tble. white vinegar
1/4 – 1/2 tsp. baking soda
Coffee filters
Small, lidded container
Retractable craft knife
Wood burning unit with a ball- , loop-, or writing tip pen
#2 pencil or All graphite drawing pencil
White artist eraser or Eraser dry cleaning  bag
Matt acrylic spray sealer or Fixit spray reworkable sealer
Assorted coloring media
Colored pencils
Gel pens
Watercolor paints

So I know you are wondering why go through this long … long … long … glue paper to wood process when you are a pyrographer and the pre-cut ornament is made of wood?

 

If we were working on basswood, birch, or poplar pre-cut wood ornaments I would not recommend gluing heavy-weight bullet journal paper to your ornament. These three wood species have tight grain that can be sanded smooth.  They are the primary three woods used for advanced pyrography work.  But most pre-cut wood shapes  are made out of a porous, wide grained wood, Paulownia,  that has been laminated to create a thin plywood which does not allow you to completely erase your pencil lines, burn with any consistency, or accept coloring in an even coating.

The left ornament is a bullet paper glued ornament.  The burned lines are fairly even in coloring, thickness, and depth.  The paper is a paler color tone that the raw wood ornaments which gives you bright white coloring and a wide tonal value range.  The center ornament was worked on the raw wood.  It shows how the open, porous grain of this wood causes skipped areas in your burned line, heavy dark dots and uneven coloring of the lines.  The right hand ornament also shows that the pencil outline has created a small dent in the wood, which hows even though the pencil lines have been erased.

Plus … the dot grid paper makes creating your own design or adding lettering to your ornament so easy!

Let’s get started:

Preparation:

1. Do not sand or buff your wooden ornaments. 

A slightly rough surface will give your DIY paste glue more area on which to adhere.  If you want even more ‘grab’ to your glue, lightly sand the ornament with 220-grit sandpaper.  Work any sanding strokes with the direction of the grain to create tiny channels that will fill with your paste.  Dust well.

2.  Make your DIY paste glue.

DIY paste glue has a very low moisture content, because you control how much water/whey liquid is left in the curd mix. Whey is the liquid remaining after milk has been curdled and strained. Curds is the soft, white substance, milk fat, formed when milk sours, used as the basis for cheese and what will become the paste glue.

For the strongest bond using any glue, you want some of the glue to soak into the top surface of the media you are gluing.  But when the glue has a high water content the paper soaks up that water and will expand and buckle.  Those buckles in the paper will remain after the glue dries.  By mixing your own paste glue, you can remove almost all of the water content, avoiding that expansion and buckling problem.

Mix together one-half cup of warm water and one-half cup of whole milk.  Mix.  Microwave for 30 seconds to bring the mix to room temperature.  Add 2 tablespoons of white vinegar.  This will curdle the milk, causing the milk to separate into the watery liquid called whey and small pieces of the milk fat, called curds.  Mix.  Put a coffee filter into a flour sifter or strainer.  Pour the glue milk into the filter, allow the liquid to drain well.  Scrape the remaining curd mix into a small refrigerator container that has a lid.  Add 1/4 to 1/2 teaspoon of baking soda to the mix.  Stir well.  The baking soda neutralizes any remaining vinegar acid.  A few very small clumps may remain but are easily brushed out when you apply the glue.  Store in the refrigerator for up to two weeks.

3.  Apply one even coat of DIY paste glue to the surface of your wood ornament. I did not glue the ‘hanger cap’ area of my ornaments, as I planned to paint this area with gold marking pen.

4.  Lay the glue-covered ornament face down onto the grid, bullet paper, aligning the center of the wood ornament to the gird dots.  Turn face up and press well, working from the center out, to remove any air pockets.

Bullet journal paper comes in lined, blank, and gird prints.  Both the lined and grid versions are printed on both sides of the paper. The off-white, cream, and kraft brown colored papers tend to be a heavier weight of paper than standard writing or printer paper.  That extra paper weight means you have more paper fibers to absorb the small amount of moisture left in your DIY paste glue mix.  This helps greatly to avoid any expansion in the paper during the gluing process.

5.  Place your paper-glued ornament, face up on the table.  Lay one to two heavy books on top of the ornament to add a little, extra weight during the drying process.  Allow the ornaments to dry overnight.

Notice!!!! I did not cut the excess paper from the ornament before I allowed the glue to dry.  Again, the paper has soaked up the moisture from the DIY paste glue.  This softens the fibers.  If you try to cut before that moisture is gone and the paper fibers have re-stiffened, your paper is more likely to pull away from the ornament than be cut cleanly, leaving tiny areas of empty, paperless space on the finished ornament.

All glues – wood, acrylic, paste – need pressure to make the best contact between two surfaces.  For this project I stacked several ornament and then used a 2 1/2″ thick dictionary that I keep in the studio just for this purpose.

6.  Use a retractable craft knife. Remove the current cutting edge so your are working with a fresh point.  Lay the ornament upside down on a cutting mat.  Lay the knife edge against the wood ornament and use the ornament’s edge as your cutting guide to free the excess paper.  Save the grid paper scraps!  You will use them when you begin burning the pattern outlines.  Use can use a finger nail file to smooth the paper edges.

Save your bullet paper scraps for the wood burning steps.

A retractable craft knife has several advantages for projects like this.  You can adjust how long the cutting blade is.  The shorter the blade the more accurate you cut will be when you have an guide edge or lip as the wood ornaments give you.  You can remove the current point, using flat-nosed pliers, so that you have a new, sharp cutting point.  This is especially important whenever you are cutting paper.

Because you have allowed the glued paper to dry overnight, you will get a clean cut with no pulling on wet fibers.

Creating the design!

 

7. Using a pencil, lightly mark your pattern, using the gird dots as your guide.

There are some wonderful line art ideas that you can find on both Google, and Pinterest.  Search under Mandala patterns, line separators, and henna designs.  Please visit my pattern website, ArtDesignsStudio.com for original pattern line art for your next craft project.

8.  Set your wood burning unit to a medium to medium high temperature setting.  Test your temperature setting, and your pen tip selection by burning a few lines or test designs on the cut scraps of gird bullet paper.

I chose to wood burn my outlines because this sets the design permanently into the paper.  I can erase, work coloring, and seal the design without loosing that burned pattern.  Wood burning on paper also creates a tiny trough or lowered area where the line is burn.  This makes coloring easier a it becomes a gutter that naturally stops the spread of water color and acrylics.

9. Wood burn the design outline.

At this point in the project you can work you design as a stand-alone wood burning.  Add shadows, tonal values, and detailing by changing your pen tip or you can work just the outline and use other coloring media to add bright detailing.

10.  Using a white artist eraser, remove any pencil marks.  Dust the ornament well to remove any eraser dust.

Colored erasers – like the pink eraser on the end of your #2 pencil – are color dyed.  That color can leave a streak on your project that can not be removed.  Inexpensive pencil erasers are also more coarse in texture than a white artist eraser and can cause damage to the area you are working on both wood and paper surfaces.  An eraser pad, a cloth bag filled with eraser particles, makes a wonderful cleaning tool.  The flexibility of the cloth bag means you can clean any shape or texture easily.

11.  You are ready to decorate your ornament design using your favorite coloring media – colored pencils, gel pens, water colors, or craft acrylic paints.  Create layers of coloring by using either a light coat of matte spray sealer or reworkable spray sealer between lightly applied coats!

12. Sign and date your ornament on the back with either your wood burning tool or a pencil, so that your work is noted as being an original creation. Give your ornament several light coats of matte spray sealer, both front and back, to complete this project.

 

Hope you have fun.  ~Lora

Complete Pattern Collection on Sale! Read More »

Tonal Values Add Depth to Your Project

Tonal Values in all crafts – wood carving, wood burning, colored pencils, and painting

If really is amazing the odd moments that you remember and that affect the rest of your life.

Mom and I had been to a doctor in lower, southern Baltimore that day.  She decided to take the long way home as it was a wonderful country ride and it avoided the “new” interstate highway.  I must have been less than 10 as my younger sister was not yet born, so about 1958 to 1962.

It was all rural dairy farm land at that time, Maryland’s main agriculture for the Piedmont area.  Late afternoon, driving into the setting sun, we came to a T intersection just above the little town of Olney.  Mom just stopped at the cross road and looked out across the farm land in front of us.  We just sat there for the longest time.

In front of us was a small hill of pasture land with an old wire fence.  On top of the rise was a dilapidated barn, leaning slightly, surrounded by young weed-tree saplings.  The silo was long gone, but the old, rusting tractor still sat by the side of the barn.

“See that fallen down barn … look at where the roof has caved in and where the windows and doors are long gone.  Do you see the light coming into the inside of barn from the holes in the roof?  Look at how black the inside of the barn is but how bright the sunlight patches are where they hit the floor. They are brilliant white”

“Do you see the locust trees growing inside the barn, how their trunks and branches are white in sunlight coming into the barn, then disappear into the black shadows, but come out of the roof looking white again?”

‘Notice how you can’t really see anything inside the barn where the black shadows are but you can see all the details where the sunlight has come through the roof.  Now THAT’S a painting!!!!”

It wasn’t the barn; it wasn’t the old tractor; it wasn’t even all the colors of the field, trees, and red barn paint that she saw … it was the light and shadows.  Mom was an accomplished artist who, as I, started out as an oil painter and later supported her family from her craft business income.

I passed that barn many, many times later in my life when I traveled from the University of Maryland to home.  Over the years it slowly settled into just a pile of rotten wood planks, and eventually was lost under those weed-trees that had grown to full size.   Every time I came to that T intersection, like Mom, I stopped and looked and pondered the bright sunshine highlights and the black afternoon shadows – the tonal values of that rustic landscape.

So in working on a new update for my blog and pattern site I was compiling a series of images of some of my work, shown above.   When I put them together as one image – wood carvings, wood burnings, colored pencils, tutorials, and oil painting – I realized they all had one thing in common.  Every project, for me, is about tonal value and how to capture those bright white highlights and blackest shadows.

Art is about the white eyelashes of that cow lying over the blackest shadow inside her ear.  Its about cutting a deep undercut to free the sides of the fence from the wood to cast a dark shadow.  Its about working the under painting of a white flower so that the insides of the petal are starkly contrasted to the white roll overs of the petal’s edge.

For me, art is about tonal values, and it is because of that one little, brief moment of my Mom sharing her love of just seeing the world through those highlights and shadows.

Thanks for letting me sharing this memory!

~Lora
Tonal Value Sepia Worksheet
Wood Burning Sepia Values
Mapping Your Pyrography Pattern
Contrasting Tonal Values
Light and Shadows in Pyrography
 

 

 

 

 

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Pyrography Junk Journal

I have found over the years that I often have the desire to create something new far after I have run out of space to display the work.  I literally have dozens of banker boxes filled with finished projects, tucked away under my work table or in a closet, that are simply stored away.  Yet not having space for another pyrography, wood carving, or craft project does not stop me from wanting to create new ideas.

So I have come up with a small solution to my addiction to pyrography wood burning – a Pyrography Junk Journal!

Small wood pieces can be hot glued to my watercolor paper pages to add too my junk journal.

I cut the front and back of my junk journal from scrap, vegetable-dyed leather, then used a leather punch to create the holes for the clip rings.  Of course I worked a leather burning on my cover.  My journal measures 6 1/2″ x 8″.  Next I cut blank pages from heavy weight water color paper.  These pages measure 6″ x 7 1/2″.  Aligning the left side of the watercolor paper pages to the leather cover I marked the clip ring holes on the pages and cut them with my leather punch.

I wanted to test sample a new set of watercolor pencils that I will be using to add hue to my larger projects. This journal page let me check how well they covered and how transparent the were to allow the sepia shading to show without investing the time into a larger, in-depth work. A fun starting page for my junk journal.

I can work a pyrography wood burning pattern directly on the watercolor paper pages or I can use those pages to mount other media as small basswood squares, chip board shapes, paper mache squares, or leather scraps.

Fun, random, geometric shapes are great when you just want to spend an evening pyrography doodling.

Quick, easy, and so ready to fill with new free pyrography project patterns, experimental texture practice boards, and test sample for the next large pyrography burning!

 

Hope you have fun with this idea!!!!

~Lora

Pyrography Junk Journal Read More »

Wood Spirit Walking Stick Carving

June 8th, 2023  My free Wood Spirit.pdf has been updated!  Please download Version 2.0 with the link below.

Cane Carving

Walking Sticks and canes are a favorite wood carving project for both beginning carvers to the most advanced woodworker. This free, online project by Lora Irish will take you through the basic techniques used in choosing your wood staffs and sticks, wood carving cane toppers, cane construction, and finishing used for walking sticks. Learn how to use wood burning in your cane carving to clean the joint lines of your carving and add fine details. Explore the different steps you can use to add bright, bold painted coloring.

 

 

Enjoy our latest freebie:
An Ancient Love Story – Wood Spirits V2
19 pages that include the classic mythology of this beloved icon, exploration of the different styles of Wood Spirits and Greenmen, and 14 ideas and patterns to use in your Wood Spirit carvings.

 

 

Let Your Cane Tell a Story

Cane toppers can be carved to show a favorite item, hobby, or occupation.  They can also tell a story.  This cane topper pattern shows the story of a large fish, being hugged by a turtle, swallowing a medium fish that is being hugged by a frog and is swallowing a small gator that is eating a mouse.  Thus its name “Food Chain”.

Click on the image above for a full-sized, printable pattern.

 

Free Online Tutorials

Wood Carving Canes, Walking Sticks, Wizard Wands

Wood Carving Walking Sticks, Introduction

Wood Carving Walking Sticks – Adding Extras

Wood Carving Walking Sticks – Common Tree Specieshow to carve canes

Wood Carving Walking Sticks – Harvesting

Wood Carving Walking Sticks, Gluing Your Joint

Wood Carving Walking Sticks, How to Clamp Your Cane Handle

Wood Carving Walking Sticks, Working with Bamboo

Harvesting Saplings for Cane Carving

Free Mountain Man Cane Carving Pattern

Wood Carving Walking Sticks, How to Join Your Cane Handle

Wood Spirit Cane and Walking Stick Carving

Twistie Stick Snake Cane Carving, Day 4

Twistie Stick Snake Cane Carving, Day 3

Twistie Stick Snake Cane Carving, Day 2

Twistie Stick Snake Carving Free Project

Walking Stick and Cane Handle Joinery

Wood Carving Walking Sticks

Canes and Walking Sticks

Carving the Wood Spirit

Carving the Wood Spirit Face

Cane and walking stick wood carving

 

Canes, Walking Sticks & Wizard Wands By Lora S. Irish

Our copyright allows you to sell your finished items worked with any
pattern from ArtDesignsStudio.com, Lora’s pattern website.  You can buy the complete pattern pack, carve or burn your heart out, and sell them all at your local craft fair.

48 patterns, with 3 to 5 sided views for each designs, for easy tracing and easy carving. 40 carved, and colored finished samples to guide you in your cane carving project. Patterns include Wood Spirits, Wizards, Dragons, Kings, Mushroom Spirits, Fish, Mark Twain, The Judge, Christmas Caroler, Viking Warrior, The Country Singer, and much, much more.

Our biggest pattern pack yet! Use any design for your cane carving, walking stick toppers, talking sticks, or Wizard Wands. Create smaller carvings for key chain lanyards, and flower pot companions. Another Art Designs Studio, A Lora Irish exclusive!

Only $10.95

Patterns By Download! — Fast! – Easy! – Convenient!
Download Today — And Be Carving Tonight!

Wood Spirit Walking Stick Carving Read More »

Wood Carving, Pyrography Pattern Collection

On sale through Dec. 31st, 2022
For a limited time get a free bonus book, signed by Lora Irish with your
Thumb Drive order at ArtDesignsStudio.com
This week’s book is the Great Book of Wood Burning – Edition 2, a $22 value.

Wood Carving, Pyrography Pattern Collection Read More »

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