Whether you are a wood carver, a pyrographer, or a gourd artist eventually you will be using color. Color is part of everything we see and understanding how color works – the basics to color theory – insures that your project is vibrant, vivid, and bold each and every time.
Over the next few days we will focus on how the eye sees color v. how the eye sees shadows and light, primary colors v. complimentary colors, and color combinations that create intense skin tones.
So, grab your freebie now and have fun reading through the basics. Tomorrow we will start a fun, step-by-step Mystic Shaman portrait!
Stamp collecting is one of the top hobbies worldwide. As philatelists, we delight in little bits of art work that come from far away places, and that tell about a tiny bit of history, geography, social changes, or feature someone that has effected their country. The vast majority of the stamps that we collect cost less than a US quarter, yet bring hours and hours of fun as we track down complete year sets, special revenue issues, or even discover cancelled stamped envelopes from distant cities.
It is estimated that to have a complete worldwide collection you would have over 500,000 different stamps, from so many countries that Wikipedia has their own WikiProject just for collectors. Many of us focus on several favorite countries, or perhaps a topic or theme that is important to us.
Where you might specialize in butterflies, steam engine trains, or famous women in history, I personally search for stamps that feature maps, geology, and space endeavors. On one of my stamp collecting forums, Stamp Community Forum, one member noted that he collected stamps that feature men with mustaches.
Treasure Trove of Ideas
As wood carvers, pyrographers, and craft artists stamp collecting is a treasure trove of ideas, designs, and pattern work. Over the next few days I will be working on a pyrography pointillism project that features two Celtic birds, entwined in a Celtic knot pattern, inside of a traditional stamp frame.
Pointillism is the process of creating a design using only small dots. Small, widely spaced dots will create our pale tonal values; medium-sized dots, loosely packed give us the mid-tone values; and large, tightly packed dots will make our dark tonal value range.
Art Styles of Pyrography
To learn more about the different styles and patterns that can be used in your pyrography work please check out Lora Irish’s Art Style of Pyrography – 190 pages, 15 projects, Ready for Download, which we have placed on sale for those following our blog and this free project.
This is a quick, easy, beginner’s level free pyrography project that can quickly be personalized to include your name, a date, or a location. By the time we are done this project you will discover how you can create your own postage stamp designs by mix and matching topic patterns with stamp frames.
Supplies needed:
12″ x 12″- 1/4″ sheet of birch, poplar, or basswood plywood Wood burning unit – either one temperature or variable 220-grit sandpaper #2 to #4 soft pencil Painter’s tape or masking tape Red ball-point ink pen for tracing Loop tipped burning pen Ball tipped burning pen Ruler
So, while you get your supplies together, I am off to get our newest e-Project completed, which will, of course, focus on stamp collecting designs and ideas. See ya’ tomorrow with the free pattern to this project. – Lora
Click on the link above for your free download pattern pack.
Have you had that burning desire to create your own quilting batik wax stamps? Have you been looking for wallpaper border stencils? Do you need something special for this 4th of July scrapbook photos?
Well, we have what you want — and its absolutely free!
Our LSIrish July 4th Freebie Pattern Package includes 4 small quilt square motifs, 4 large quilt square motifs, and 3 star border motifs. Plus you will find fabric idea samples and a simple Nine Patch quilt layout for your personal use.
Hope you have fun with this one! And, please, email me through our contact page, above, with photos of what you have created.
The images on this page are sized to print an 8 1/2″ x 11″ guide sheet which includes your sepia temperature setting, a close-up of the burning, the pyrography shading guide, and the doodle patterns used in that step. Please be patient as the image loads. Click on the image, allow it to load in a new window, right-hand click on the image, and choose Save to your Desktop.
Step 3: Medium Dark Leaf Patterns
To establish the mid-range of your tonal value, begin your pattern burns using a medium-hot setting on your tonal value scale. Each fill pattern is a complete, small design within the boundaries of that section of the larger pattern. Work the patterns with a fine line tip – either a ball tip or looped tip pen. Work the patterns right to the edge of each section to give the impression that were the outlines not there the pattern would continue into the background.
For the first doodle patterns, shown in this step, I used simple repeats of small flowers, scales, and spirals.
Step 4: Shading Background Areas
An unshaded background for your pattern fills allows the white of the wood to show through your line work. You can work a common, shading fill over a section first, then lay your pattern work over that shading to darken the tonal value of the entire section. This technique allows you to have a mid-toned background with a dark line doodle.
You can also burn your doodle pattern first then shade over that section to darken the total tonal value of that section. This technique will darken both the background and the line doodle.
After these sections are shade the dark fill leaves are worked at a medium-hot setting to create the tonal value of pattern fill at the same color depth as the outlines of your pattern.
Step 5: Laying Patterns over Shading
Continue your pattern fill doodles over the shaded leaf sections noted in this step. Work towards creating even thickness lines and consistent tonal values.
We will continue our Pyrography Mushroom Doodles on Monday, see you there and then. We will continue to fill this mushroom pyrography doodle pattern with fun and easy to create doodle designs. Please slip over to our craft, carving, and pyrography patterns website, Art Designs Studio, to get your free patterns for this project. The download link is on our home page.
The traced pattern lines of your pyrography pattern can be approached in several ways. Let’s look at a few ideas before we begin the next step of the Mushroom Pyrography Doodle Project by Lora S. Irish.
If you are just joining this free online pyrography project please slip over to our craft, carving, and pyrography patterns website, Art Designs Studio, to get your free patterns for this project. Its the Spring 2014 package in the right hand navigation widgets. The download link is on our home page.
A simple outline burning along the tracing lines will define the pattern for you, but it can give your finished project a stiff, rigid look. In the Green Man burning, right, all of the tracing lines were burned at a hot temperature, using an even, thin line. This pyrography was worked to create a wood cut effect. The entire burning was worked at one temperature setting, limiting the tonal values to just two tones – the white of the wood and the black of the burned line.
The traced lines of your pattern are just guide lines and do not need any burning. You can define an area, without outlining it, by bringing your shading up to the line. In this mushroom sample the shading touches the pattern line. Where the shading stops defines the boundary of that area. The few outline strokes in the finished work are accent lines only.
For our Mushroom Pyrography Doodle project we are using a full outline for all of the pattern lines. This will create a boundary line around each of our doodle fill patterns. To make that outline more interesting the line is worked in a thin to thick to thin width, changing the weight of the line as it moves through the pattern.
Temperature Setting and Pen Tips
Each variable temperature wood burning unit has its own settings for the different temperatures used to create your tonal values. Create a sepia scale tonal value chart, using your burning unit and your pen tips, to establish the exact settings your unit used. To learn more about tonal values please go to Wood Burning Sepia Values.
For the outline burn that we will be working I have set my temperature setting to a high or hot setting. I want a setting hot enough to burn a rich, dark brown line but not so hot that the pen tip scorches the wood outside the line. If your pen tip is creating a light brown halo outside of the line, in the background area against the line, your burning unit is set to high.
Pen Tips for Fine Line Burning
I have two favorite tips that I use for my line work. One is a medium-sized ball tip pen and the second is a medium-sized loop tip pen. Both work excellently at any temperature setting.
Keep your pen tip clean of any carbon build-up as you work. A clean, bright tip burns a thinner, more even line. Use a leather or synthetic strop and honing compound to clean your tips.
Step 2: Burn the outlines of the pattern tracing.
Using your finest line burning tip, set your temperature setting to a hot setting.
Burn along all of the pattern lines to set your design. You want a dark, even line.
Work a second burning over the pattern lines to create a thick to thin effect in your outlines. This adds strength to the outline, giving the line extra emphasis in the finished work, as well as interest in the changing dimensions of the line. A close-up of the thick to thin outline is shown in the header image in this post.
Using the fine nail sanding board, lightly sand over your board to remove any rough areas caused by the hot temperature burn. Wipe the board with a clean cloth to remove any dust.
