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Complete Pattern Collection on Sale!

Treat yourself this holiday season to thousands of patterns, ideas, and templates.  All original art by Lora S. Irish.

Our best sale of the year, through Dec. 31st.

Today’s Tips and Tricks is below!!!!
Bullet paper covered wood ornaments for Pyrography

 

 

 

Our artist and author, Lora S Irish, has written 49 books during her crafting, wood carving, and wood burning career, dedicated to teaching you the basics to our favorite hobbies.  They make great stocking stuffers!  Available at Amazon.com.

 

Dec. 09, 2024 Tips and Tricks

 

Simple, quick, and just plain fun … These Christmas tree ornaments are worked on pre-cut wooden ornament shape that measure 70-80 mm/2 7/8 to 3 1/4″ round.

Supplies:

3″ wooden ornament pre-cut, finished shapes
Cream colored, gird, bullet journal paper – A5 or A6 size
DIY Paste Glue
1/2 cup warm water
1/2 cup whole milk
2 Tble. white vinegar
1/4 – 1/2 tsp. baking soda
Coffee filters
Small, lidded container
Retractable craft knife
Wood burning unit with a ball- , loop-, or writing tip pen
#2 pencil or All graphite drawing pencil
White artist eraser or Eraser dry cleaning  bag
Matt acrylic spray sealer or Fixit spray reworkable sealer
Assorted coloring media
Colored pencils
Gel pens
Watercolor paints

So I know you are wondering why go through this long … long … long … glue paper to wood process when you are a pyrographer and the pre-cut ornament is made of wood?

 

If we were working on basswood, birch, or poplar pre-cut wood ornaments I would not recommend gluing heavy-weight bullet journal paper to your ornament. These three wood species have tight grain that can be sanded smooth.  They are the primary three woods used for advanced pyrography work.  But most pre-cut wood shapes  are made out of a porous, wide grained wood, Paulownia,  that has been laminated to create a thin plywood which does not allow you to completely erase your pencil lines, burn with any consistency, or accept coloring in an even coating.

The left ornament is a bullet paper glued ornament.  The burned lines are fairly even in coloring, thickness, and depth.  The paper is a paler color tone that the raw wood ornaments which gives you bright white coloring and a wide tonal value range.  The center ornament was worked on the raw wood.  It shows how the open, porous grain of this wood causes skipped areas in your burned line, heavy dark dots and uneven coloring of the lines.  The right hand ornament also shows that the pencil outline has created a small dent in the wood, which hows even though the pencil lines have been erased.

Plus … the dot grid paper makes creating your own design or adding lettering to your ornament so easy!

Let’s get started:

Preparation:

1. Do not sand or buff your wooden ornaments. 

A slightly rough surface will give your DIY paste glue more area on which to adhere.  If you want even more ‘grab’ to your glue, lightly sand the ornament with 220-grit sandpaper.  Work any sanding strokes with the direction of the grain to create tiny channels that will fill with your paste.  Dust well.

2.  Make your DIY paste glue.

DIY paste glue has a very low moisture content, because you control how much water/whey liquid is left in the curd mix. Whey is the liquid remaining after milk has been curdled and strained. Curds is the soft, white substance, milk fat, formed when milk sours, used as the basis for cheese and what will become the paste glue.

For the strongest bond using any glue, you want some of the glue to soak into the top surface of the media you are gluing.  But when the glue has a high water content the paper soaks up that water and will expand and buckle.  Those buckles in the paper will remain after the glue dries.  By mixing your own paste glue, you can remove almost all of the water content, avoiding that expansion and buckling problem.

Mix together one-half cup of warm water and one-half cup of whole milk.  Mix.  Microwave for 30 seconds to bring the mix to room temperature.  Add 2 tablespoons of white vinegar.  This will curdle the milk, causing the milk to separate into the watery liquid called whey and small pieces of the milk fat, called curds.  Mix.  Put a coffee filter into a flour sifter or strainer.  Pour the glue milk into the filter, allow the liquid to drain well.  Scrape the remaining curd mix into a small refrigerator container that has a lid.  Add 1/4 to 1/2 teaspoon of baking soda to the mix.  Stir well.  The baking soda neutralizes any remaining vinegar acid.  A few very small clumps may remain but are easily brushed out when you apply the glue.  Store in the refrigerator for up to two weeks.

3.  Apply one even coat of DIY paste glue to the surface of your wood ornament. I did not glue the ‘hanger cap’ area of my ornaments, as I planned to paint this area with gold marking pen.

4.  Lay the glue-covered ornament face down onto the grid, bullet paper, aligning the center of the wood ornament to the gird dots.  Turn face up and press well, working from the center out, to remove any air pockets.

Bullet journal paper comes in lined, blank, and gird prints.  Both the lined and grid versions are printed on both sides of the paper. The off-white, cream, and kraft brown colored papers tend to be a heavier weight of paper than standard writing or printer paper.  That extra paper weight means you have more paper fibers to absorb the small amount of moisture left in your DIY paste glue mix.  This helps greatly to avoid any expansion in the paper during the gluing process.

5.  Place your paper-glued ornament, face up on the table.  Lay one to two heavy books on top of the ornament to add a little, extra weight during the drying process.  Allow the ornaments to dry overnight.

Notice!!!! I did not cut the excess paper from the ornament before I allowed the glue to dry.  Again, the paper has soaked up the moisture from the DIY paste glue.  This softens the fibers.  If you try to cut before that moisture is gone and the paper fibers have re-stiffened, your paper is more likely to pull away from the ornament than be cut cleanly, leaving tiny areas of empty, paperless space on the finished ornament.

All glues – wood, acrylic, paste – need pressure to make the best contact between two surfaces.  For this project I stacked several ornament and then used a 2 1/2″ thick dictionary that I keep in the studio just for this purpose.

6.  Use a retractable craft knife. Remove the current cutting edge so your are working with a fresh point.  Lay the ornament upside down on a cutting mat.  Lay the knife edge against the wood ornament and use the ornament’s edge as your cutting guide to free the excess paper.  Save the grid paper scraps!  You will use them when you begin burning the pattern outlines.  Use can use a finger nail file to smooth the paper edges.

Save your bullet paper scraps for the wood burning steps.

A retractable craft knife has several advantages for projects like this.  You can adjust how long the cutting blade is.  The shorter the blade the more accurate you cut will be when you have an guide edge or lip as the wood ornaments give you.  You can remove the current point, using flat-nosed pliers, so that you have a new, sharp cutting point.  This is especially important whenever you are cutting paper.

Because you have allowed the glued paper to dry overnight, you will get a clean cut with no pulling on wet fibers.

Creating the design!

 

7. Using a pencil, lightly mark your pattern, using the gird dots as your guide.

There are some wonderful line art ideas that you can find on both Google, and Pinterest.  Search under Mandala patterns, line separators, and henna designs.  Please visit my pattern website, ArtDesignsStudio.com for original pattern line art for your next craft project.

8.  Set your wood burning unit to a medium to medium high temperature setting.  Test your temperature setting, and your pen tip selection by burning a few lines or test designs on the cut scraps of gird bullet paper.

I chose to wood burn my outlines because this sets the design permanently into the paper.  I can erase, work coloring, and seal the design without loosing that burned pattern.  Wood burning on paper also creates a tiny trough or lowered area where the line is burn.  This makes coloring easier a it becomes a gutter that naturally stops the spread of water color and acrylics.

9. Wood burn the design outline.

At this point in the project you can work you design as a stand-alone wood burning.  Add shadows, tonal values, and detailing by changing your pen tip or you can work just the outline and use other coloring media to add bright detailing.

10.  Using a white artist eraser, remove any pencil marks.  Dust the ornament well to remove any eraser dust.

Colored erasers – like the pink eraser on the end of your #2 pencil – are color dyed.  That color can leave a streak on your project that can not be removed.  Inexpensive pencil erasers are also more coarse in texture than a white artist eraser and can cause damage to the area you are working on both wood and paper surfaces.  An eraser pad, a cloth bag filled with eraser particles, makes a wonderful cleaning tool.  The flexibility of the cloth bag means you can clean any shape or texture easily.

11.  You are ready to decorate your ornament design using your favorite coloring media – colored pencils, gel pens, water colors, or craft acrylic paints.  Create layers of coloring by using either a light coat of matte spray sealer or reworkable spray sealer between lightly applied coats!

12. Sign and date your ornament on the back with either your wood burning tool or a pencil, so that your work is noted as being an original creation. Give your ornament several light coats of matte spray sealer, both front and back, to complete this project.

 

Hope you have fun.  ~Lora

Complete Pattern Collection on Sale! Read More »

Tonal Values Add Depth to Your Project

Tonal Values in all crafts – wood carving, wood burning, colored pencils, and painting

If really is amazing the odd moments that you remember and that affect the rest of your life.

Mom and I had been to a doctor in lower, southern Baltimore that day.  She decided to take the long way home as it was a wonderful country ride and it avoided the “new” interstate highway.  I must have been less than 10 as my younger sister was not yet born, so about 1958 to 1962.

It was all rural dairy farm land at that time, Maryland’s main agriculture for the Piedmont area.  Late afternoon, driving into the setting sun, we came to a T intersection just above the little town of Olney.  Mom just stopped at the cross road and looked out across the farm land in front of us.  We just sat there for the longest time.

In front of us was a small hill of pasture land with an old wire fence.  On top of the rise was a dilapidated barn, leaning slightly, surrounded by young weed-tree saplings.  The silo was long gone, but the old, rusting tractor still sat by the side of the barn.

“See that fallen down barn … look at where the roof has caved in and where the windows and doors are long gone.  Do you see the light coming into the inside of barn from the holes in the roof?  Look at how black the inside of the barn is but how bright the sunlight patches are where they hit the floor. They are brilliant white”

“Do you see the locust trees growing inside the barn, how their trunks and branches are white in sunlight coming into the barn, then disappear into the black shadows, but come out of the roof looking white again?”

‘Notice how you can’t really see anything inside the barn where the black shadows are but you can see all the details where the sunlight has come through the roof.  Now THAT’S a painting!!!!”

It wasn’t the barn; it wasn’t the old tractor; it wasn’t even all the colors of the field, trees, and red barn paint that she saw … it was the light and shadows.  Mom was an accomplished artist who, as I, started out as an oil painter and later supported her family from her craft business income.

I passed that barn many, many times later in my life when I traveled from the University of Maryland to home.  Over the years it slowly settled into just a pile of rotten wood planks, and eventually was lost under those weed-trees that had grown to full size.   Every time I came to that T intersection, like Mom, I stopped and looked and pondered the bright sunshine highlights and the black afternoon shadows – the tonal values of that rustic landscape.

So in working on a new update for my blog and pattern site I was compiling a series of images of some of my work, shown above.   When I put them together as one image – wood carvings, wood burnings, colored pencils, tutorials, and oil painting – I realized they all had one thing in common.  Every project, for me, is about tonal value and how to capture those bright white highlights and blackest shadows.

Art is about the white eyelashes of that cow lying over the blackest shadow inside her ear.  Its about cutting a deep undercut to free the sides of the fence from the wood to cast a dark shadow.  Its about working the under painting of a white flower so that the insides of the petal are starkly contrasted to the white roll overs of the petal’s edge.

For me, art is about tonal values, and it is because of that one little, brief moment of my Mom sharing her love of just seeing the world through those highlights and shadows.

Thanks for letting me sharing this memory!

~Lora
Tonal Value Sepia Worksheet
Wood Burning Sepia Values
Mapping Your Pyrography Pattern
Contrasting Tonal Values
Light and Shadows in Pyrography
 

 

 

 

 

Tonal Values Add Depth to Your Project Read More »

Simple Guide to Wood Craft Finishes – Free PDF

Simple Guide to Wood Crafting Finishes
The when, why, and how each sealer product is used by Lora S. Irish

Simple Guide to Wood Finishes – 1.2

Absolutely FREE – Just click the link to download!!!

Purpose of finishes
Preparation
Questionnaire
Aerosol  v. brush-on sealers

Acrylic sealers
Polyurethane
Paste wax
Boiled linseed oil
Tung oil
Mineral oil
Burnishing
Polished craft paints
Reworkable fixative sealer
Furniture polish

 

Wood Burned Tiki Wind Chimes

Bamboo is a great media for wood burning!  Use well dried, two year old or old sections.  Wash the bamboo section with soap and water, then use a sharp utility knife to scrap away the outer layer of the bamboo.

Measure and mark your length, allowing at least one-half inch above the node. The node area closes the bamboo section to create the sound chamber and it is an easy area for your hanging accessories.

Cut your bamboo piece into the desired lengths with a fine toothed saw.  Lightly sand the entire piece with 220-, then 320-grit sandpaper.  You are ready to trace your pattern using graphite paper and to have fun wood burning the design. Add your wind chime elements.

Bamboo does not need a sealer or finishing coat, so once you have your chimes or bell knocker installed your project is ready to hand.

Here’s the link to my Tiki Chess Set free craving project.

 

ArtDesignsStudio.com News

There are four new pattern packs added to our wood carving, wood burning, and craft pattern warehouse this week!!! Plus three new discount coupons that you can add to your cart.

cp146  Tiki Patterns

Twenty fabulous Tiki Line Art Craft Patterns based on the Polynesian icon of the First Man. Patterns include designs for wind chimes, garden flags, bar decorations, and quilt projects. Have fun wood burning or wood carving these delightful male Oceanic art images.

Also include is the pattern pack with images and line patterns for your own Tiki Chess Set. Sixteen different designs to chose from for you King, Queen, Rook, Castle, Knight, and Pawns.

 

cp147 Barbecue Spoon Patterns

36 patterns for small wooden spoon carving. Created for wood blanks that are 8″ long or smaller, and 1/2″ or thinner. Wonderful one evening wood carving projects for beginners.

Also included is the Garnish Set of Wood Carved Spoons, which includes 9 different patterns, plus the photos of each finished spoon.

 

cp148 Celtic and Tribal Patterns

24 large-sized craft pattern for Celtic Tribal Animals, Butterflies, Sea Horse, Dragon, Cobra, Hearts, and more.

Enjoy the challenge of interlocking lines with the bold impression of Oceanic art tattoo geometric designs.

Ready for wood carving, wood burning, or paper crafts.

cp149 Wood Carved Wooden Spoon Bowl Shapes

This package is for those wooden spoon carvers that need a little inspiration in creating new bowl shapes for their designs. Included are 41 grid line art patterns that focus on classic as well as modern bowl, and ladle shapes. These bowl shapes can be used with any wooden spoon handle design.

Coupon Code  —  59ccp
Complete Pattern Collection by Download

Get the Complete Collection by Download, including the four new pattern packs for only $59 USD.   Use the coupon during Check Out!

 

Simple Guide to Wood Craft Finishes – Free PDF Read More »

Free Carving and Pyrography Patterns

I have two Freebie Alerts for you today.

Our Bird House Sign has two full sized patterns – one vertical and the other horizontal.  Plus an set of numbers to customize your carving or pyrography patterns.  Available on my pattern website – ArtDesignsStudio.com

Still one of my favorite, this free pyrography and carving pattern pack has twelve fun characters for your delight.
Available on my pattern website – ArtDesignsStudio.com

Free Carving and Pyrography Patterns Read More »

Decoy Fish Wood Carving

Is it too early to be talking about the Fourth of July?!?

 

Wood Carving Fish Decoys

Ice Fishing Fish Decoy Gallery

 

Ice Fishing Decoy Gallery Two

Burning & Carving Fish

Sun Fish Decoy

 

Posts:

Burning and Carving Fish – Free pattern included
Wood Carved Ice Fishing Decoys

Pages: Learn how to wood carve your own Ice Fishing Decoy, a free wood carving project by Lora S Irish. Folk art fish decoys can become much more than realistic wood carvings of minnows and fishing bait.  This gallery of wood carvings by Lora Irish offers more samples of what you could do with your own whittled fish decoy.

Ice Fishing Decoy Carving – Four page free tutorial
Ice Fishing Decoy Gallery One
Ice Fishing Decoy Gallery Two
Sun Fish Carving – Includes free pattern

E-Project: Learn folk art ice fishing decoy carving with this in-depth step-by-step project taught by Lora S. Irish. This sixty page e-book includes an introduction to the history of ice fishing decoys, the six basic carving cuts needed to create these fun fish, and two complete projects. Complete your decoy with the painting steps and by creating a simple wire hanger. 60 pages of instructions, patterns, and ideas included are 20 small decoys patterns with fin variations, 4 long minnow decoy patterns, and 21 large full-sized decoy patterns accompanied by full-colored photos of the carved samples. Comes in Adobe Reader .pdf format!

Whittle Fish E-Project by Lora S Irish

Fish Related Digital Patterns: ArtDesignsStudio.com patterns by L S Irish

Fishing Lures

Fresh Water Fishing Patterns

Hook, Line, and Sinker

Just Goldfish

Decoy Fish Wood Carving Read More »

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