Pyrography

Wood Burned Pyrography Free Bird Pattern

This little “Let the Stress Begin” Bird Pattern for pyrography and wood carving is worked on a mini-clipboard that measures 6 1/2″ high by 4″ wide.  The outer 1/2″ edge of the clipboard was covered with painter’s tape after the pattern was traced.  This protects that area of wood from being burned and when it is removed you have a clean, straight-lined border.

This is a simple silhouette burn on a high setting for your wood burning tool for the bird’s outline and body fill.  The background grass was worked using a ball-tip pen on a medium temperature setting.

The white and yellow were added after the pyrography was completed using acrylic craft paints.  After they dry finish your wood burning using your favorite spray sealer.

Please click on the image above to open a new window with the full-sized – 7″ x 10″ – pattern.

Please click on the image above to open a new window with the full-sized – 7″ x 10″ – pattern.

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Wood Burned Twine Box Mouse

Paper Mache Wood Burning Pyrography Project

I use little bits and scraps of twine all the time in the studio.  But after an hour of searching for my current twine ball I decided it was time to make something specific just to keep that bit of string easy to locate.

 

Supplies:

4″ wide heart-shaped paper mache box

Walnut Hallow Creative Woodburner

some 1/4″ and 1/2″ ribbon

some glue

a white colored pencil

bench knife

a bamboo skewer

a small ball of twine or cordage

 

A few ovals as my guidelines, made with a #4 soft pencil, create my mouse’s face and ears.  Working with my ball-tip pen and as hot a setting as the Walnut Hallow will take I began the burn.  Paper, especially paper mache, needs a high setting to burn both the paper and the glue content of the mache.

White colored pencil highlights her eyes, nose, and a few of the long hairs inside her ears.

After the burn was complete I used my bench knife to cut a small 1/8″ diameter, hole just above her ear, through the heart box lid.  Next, using my ball-tip pen on its highest setting I cleaned the sides of the hole by burning around the cut edge.

Now I grabbed a bamboo skewer that fits the hole I just created.  I wrapped a 1/4″ ribbon into a bow around the skewer, added a little glue to just the ribbon, and drop the skewer into the box lid hole.  The skewer holds the ribbon in place while the glue sets.  While that is drying you can add a 1/2″ wide ribbon along the outside edge of the box lid to add a little more sparkle.

After the glue on your ribbon has dried, gently remove the skewer.  Put your twine ball inside the box.  Thread the edge of the twine through the box lid hole, leaving about a 6″ tail.  Loosely tie the tail twine in a simple knot and move the knot against the box bow.

Your twine end will stay in place, and be ready to give you that next piece of twine scrap that you need.

Quick, easy, and fun …

 

 

 

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How to Clean Wood Carving -Burning Projects

Antique Road Show may call it patina … but I call it dirt!

A.K.A.  The Joys of Murphy Oil Soap

In wood crafting – wood carving and wood burning – patina is the natural color change that any wood surface goes through with age because of oxidation.  This darkens the wood because the iron in the wood begins to rust over time.  A clean, fresh piece of white pine will turn into a deep golden-orange color as its patina develops.

This morning I have been taking photos for my next book with Fox Chapel Publishing and needing a backdrop I grabbed one of my very first relief carvings – a photograph box.   But even before I got it to the photography table I knew that carving desperately needed a good cleaning.  What I am posting is the same procedure that I use of my wood burnings.

Because we display our carvings, handle our carvings, and use many of them on a daily bases our artwork does begin to pick up an ugly layer of common household dirt that both dulls  the surface finish and begins to fill in that fine detail carving that you worked so hard to achieve.

This project was carved in butternut, circa 1995, and used in my first book Classic Carving published by Taunton Press.  Over the twenty years of being used as either a jewelry box or photo box, the lid had become quite dingy.

Note here, this is not some precious 200 year old antique … at least not yet!

I use Murphy’s Oil Soap.  Murphy’s is a concentrated wood cleaner that is safe to use around children and pets. Not only can it be used on raw wood but also over most of your polyurethane or acrylic sealers.  Remember to do a small test on the bottom of your project before you work the carving.

  1.  Dust your work well before you begin.  Use condensed air to clean what you can out of the deep details.
  2. Mix about 1 cap of soap with 1 1/2 cups of warm water.
  3. With a kitchen dish washing brush, work one coat of soapy water over the surface of your carving.  Let the soap mix sit on the wood for a few moments so that it can loosen the dirt.
  4. Gently scrub over your carving or burning with the kitchen brush to lift the dirt.
  5. With a large ox-hair brush, work the puddles of dirt out of the crevices and corners.
  6. Use a clean, lint-free cloth to rub away the dirty soap.  You do not need to or want to rinse your work after you have wiped the wood.  The oil in Murphy’s will refreshes your wood surface.
  7. Repeat if necessary.


After my jewelry box thoroughly dried it was ready to be returned to my dresser as my family photo box.  The shine you see on the box edges and carving curves directly comes from Murphy’s Oil Soap.

 

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Pyrography Leather Boot Belt Project

Learn in this free, online pyrography project how easy it is to add pyrography burnings to small leather boot belts, leather belts, and leather wrist bands.  Step-by-step instruction and free wood burning patterns.

 

Our leather burning project comes from my pyrography book, Art of Leather Burning. It joins Landscape PyrographyGreat Book of Wood BurningThe Little Book of Wood BurningPyrography Basics,  and Arts and Crafts Pyrography, in my wood burning library. All Available at Amazon.com

Pyrography Leather Boot Belt, Part One Construction

Pyrography Leather Boot Belt, Part Two, Leather Burning

 

Other pyrography leather wrist bands, and boot belts found in Art of Leather Burning.

Adding bead links to your pyrography leather belts is as
easy as working a line of small holes using an awl.  The bead links
can then be threaded to your leather using a jump ring.

 


This set of wrist bands use readily available jewelry findings to create
the end clamps, lobster hooks, and split rings.

 

Wrist bands can be thin, as shown above, or made as a miniature
belt with multiple holes to fit any friend.

 


This boot belt uses an American Indian design.

 

Hope you enjoyed this free, online pyrography leather project.  For more fun please visit:

Leather Burned Jewlery

Leather Purse Pyrography, Greenman

Leather Purse Pyrography, Double-Needle Stitching

Pyrography Leather Journal

Pyrography Leather Bullet Journal

For more boot belt pyrography pattern ideas, pleases visit our pattern website at ArtDesignsStudio.com

 

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